This is my painting in my daughter’s home. I’m hoping to do a bit of painting during my break at the end of the year.
Thank you for subscribing to my blog. I’m learning as I go on this new website, so look for changes (what gizmos work or don’t) and please let me know what I might post that interests you? Just write.
I’m a very visual writer, and I like color, though the two–painter and writer–cannot work at the same time. It’s a choice.
For those who have followed my books through the years: Thank You.
I’m “nesting” right now, building a story, building a series, taking notes, developing characters and story lines. Life amid Missouri’s Ozarks gives me lots of visuals for ideas.
One book in particular–Sleepless in Montana–centered on an artist, and I found myself very much involved in his art, feeling the colors move around me, feeling how Hogan would feel about objects and lines.
Another book, Be Mine, a Western Historical romance, came from a country drive. An Amish girl, bonnet/long dress, was riding a paint pony beside the road. The pony was galloping, her long skirt lifted to expose jeans below. That visual caught me. I understood much of Emma, raised in a strict German family, her neat, waste not/industrious nature. I understood because my parents were of German descent, so I had a model for Emma.
Nesting is really difficult. This is where it may get weird for you, btw. 🙂 Nesting is like some big nebulous haze with little sparkles of ideas floating around. Some will work; others won’t. I can only explain it like this: Tails/tales are out there, floating, tantalizing, and if I can grab one and hold it as a good idea for a story, that’s good. But the next idea (tail of one) floating nearby, will not work with the primary. This is difficult/straining work, believe it or not, just thinking, pushing, waiting for a basic idea to gel.
It sounds all very mystical, doesn’t it? But then, I was/my writing was studied in some college course somewhere as an author who uses myths and legends as basics. True. But not on purpose. I have read a lot of Roman/Greek/Viking mythology and epic sagas, so that comes out, I guess.
Basically, I incorporate my experiences and life into my stories. Writers need experiences and a story is grown, much like a baby grows. Someone once said, paraphrasing here: A Writer must get out from behind a desk to experience life. (Yes, my life experiences about. I have thrown a tomahawk, btw. :))
It is so hard to cut that umbilical cord from one story to the next. After my Basket Series last book, The Bride’s Basket, I wrote a short story (not published), about one of the characters to help tie off that attachment to the series. Have no fear, readers who asked for more, I have another story planned for the series, but at this time, I’m wanting a fresh start. Creative minds move on to keep fresh.
I’m at that point now, starting a whole new series. Some writers can repeat the same story and that is their style. But I am one who needs diversity, and you can find that in my Printable Book List (on my website).
And that is how I get my stories, but what is in me–my experiences, my interests, visuals and whatever else is in the package, like a traveler, a mother, a friend, a cook, etc. Most writers are intimately connected with their stories. And I was originally contracted and worked with by top editors to get those stories out of me. I asked about that once: why the editors worked so intensely with me. They replied that I had a lot of stories in me and they wanted to get them out. That hit me so strange at the time. Now it doesn’t.
Wish me luck on this new story I’m starting? And please let me know what you would like to see in these posts? Thank you for subscribing.